WASHINGTON (AP) -James “Cool Papa” Bell got his nickname for being a calm guy. But when it was game time, he ran fast.
Bell was among the black baseball heroes in Washington back when the sport was segregated. William S. Keyes was among the adoring fans who paid 25 cents to watch them at Griffith Stadium.
“Oh my goodness. It was a heck of a feeling,” said Keyes, an 87-year-old retired teacher now living in Annapolis, Md. “You were busting out with pride.”
“Separate and Unequaled: Black Baseball in the District of Columbia,” opened this week at the Historical Society of Washington and runs until Oct. 5. More than 50 photographs, paintings and artifacts show how teams like Bell’s Homestead Grays built a thriving baseball culture in the nation’s capital. The D.C.-focused show is supplemented by a traveling exhibit from the Negro Leagues Baseball Museum in Kansas City, Mo.
“The idea for this exhibit is Washington has always been a big baseball town,” said Gail Lowe, a historian at the Smithsonian Institution’s Anacostia Community Museum, which curated the exhibit.
After the Civil War, baseball took off and teams were often segregated. Well-known black teams included the Washington Mutuals and the Alert Base Ball Club, which both counted Charles Remond Douglass – son of abolitionist Frederick Douglass – as a member. The teams played on white-owned fields like the White Lot, named for a white fence that surrounded it.
The White Lot, now the site of the Ellipse, the grassy area in front of the White House, banned blacks in 1874. But neighborhood and amateur teams – with names such as the Georgetown Teddy Bears and the Oriental Tigers – continued to sprout into the 20th century.
Pro baseball got a push locally with the opening of Griffith Stadium in 1891 at 7th Street and Florida Avenue in Northwest, home of the AL’s original Washington Senators. The exhibit includes two of the stadium’s original green wooden chairs, a reminder of the ballpark’s segregated seating. The stadium was torn down in 1965, and Howard University Hospital was built on the site.
The Grays were among a long line of black teams that rented Griffith Stadium for their own games. The team’s heyday is portrayed in action shots of players such as slugger Josh Gibson, who led them to the Colored World Series in 1943 and 1944.
Players faced daily hardships that came with being black in Washington, including segregated trolley cars and public bathrooms. With most black teams striving to break even financially, players weren’t paid much and did side jobs to sustain their first love. But a major obstacle they faced was finding practice spaces.
“They would practice on whatever fields that would accommodate them, and often the city would not accommodate them,” curator Anthony Gualtieri said. “They would often write to them and say it’s not available because a white team was using it or just say no.”
The mainstream media seldom reported on black teams or carried their box scores. But black journalists such as Sam Lacy, who wrote for the Baltimore Afro-American, and Art Carter, sports editor of the Washington Afro-American, wrote about them. The reporters’ press passes and photos are included in the exhibit.
Keyes, the Grays fan, often got a glimpse of his heroes outside the ballpark. His father owned a restaurant just a few blocks from the stadium and the players were frequent patrons. They gave his father a team-autographed baseball bat, which Keyes has loaned for the exhibit, along with other items such as an old catcher’s mask.
As kids, Keyes and his friends would try to mimic their heroes in pickup games for which they used stones wrapped in tape, because balls were pricey. Now he says he wants to pass on that inspiration.
“What I get out of it is the pleasure of having somebody else seeing what I’ve seen,” he said of the exhibit. “I just hope I get some of the younger children to know how difficult it was and what they went through.”
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On the Net: Anacostia Community Museum, http://anacostia.si.edu/
Historical Society of Washington, D.C.: http://www.historydc.org
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